The Most Eloquent
Musical Indictment
of Government Bureaucracy
Ever Written
To This We’ve Come
Gian Carlo Menotti c. 1949 |
Gian Carlo Menotti c. 1949 |
IF YOU DON'T UNDERSTAND THE FOLLOWING, YOU DON'T BELONG HERE, SO KINDLY GET OUT AND STAY OUT.
We welcome Conversation
But without Vituperation.
If your aim is Vilification ––
Other forms of Denigration ––
Unfounded Accusation --
Determined Obfuscation ––
Alienation with Self-Justification ––
We WILL use COMMENT ERADICATION.
IN ADDITION
Gratuitous Displays of Extraneous Knowledge Offered Not To Shed Light Or Enhance the Discussion, But For The Primary Purpose Of Giving An Impression Of Superiority are obnoxiously SELF-AGGRANDIZING, and therefore, Subject to Removal at the Discretion of the Censor-in-Residence.
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I wonderful indictment, no doubt. I prefer Laibach's approach, though. It's a little "scarier".
ReplyDeleteNot being an opera aficionado, I had to look up The Consul. The anguish in this aria (correct term?) is palpable.
ReplyDeleteIt's a little easier to contrast and compare and expose the dangers inherent in present-day culture (contrast the possible illustrations between two renditions of the same music shown at the link).
ReplyDeleteNo one is likely going to confuse "the Consul" with an episode of "The West Wing".
They should try "comedic" opera... ala Terry Gilliam's Brazil. ;)
ReplyDeleteIt saddens me to see how few appreciate neither the profundity and transformative power of this work nor the sensitivity and vocal splendor of the uniquely-American lyric-dramatic soprano, Eileen Farrell. Both should leave an indelible impression while inspiring awe and wonderment with their humbling effect.
ReplyDeleteMilton Krass said
ReplyDeleteThis is just gorgeous singing. Fantastic.