Monday, February 16, 2015



How Jon Stewart [ne Jonathan Stuart Leibowitz] Turned Lies Into Comedy and Brainwashed a Generation


February 15, 2015 - The New York Post [lightly edited by FT for emphasis and syntax] 

So Brian Williams goes out (for six months) humiliated and derided. Jon Stewart [ne Jonathan Stuart Leibowitz] goes out (permanently, one hopes) the same day, but on a giant Comedy Homecoming King float, with a 21-gun salute from the media, his path strewn with roses and teardrops.

Why?

Brian Williams lied about his personal exploits a few times. Jon Stewart [has been] unabashedly and habitually dishonest [during his entire career].

Though Stewart has often claimed he does a “fake news show,” “The Daily Show” isn’t that. It’s a real news show punctuated with puns, jokes, asides and the occasional moment of staged sanctimony.

It contains real, unstaged sound bites about the days’ events and interviews about important policy matters.

Stewart [as a journalist is both irresponsible and unprofessional].

He is especially beloved by others in the journo game. (For every 100 viewers, he generated about 10 fawning profiles in the slicks, all of them saying the same thing: The jester tells the truth!).

Any standard liberal publication was as likely to contain an unflattering thought about Stewart as L’Osservatore Romano is to run a hit piece on the pope.

The hacks have a special love for Stewart because he’s their [alter ego]. They don’t just think he’s funny, they thrill to his every sarcastic quip. They wish they could get away with being so one-sided, snarky and dismissive.


They wish they could skip over all the boring phone calls and the due diligence and the [pretense at] fairness and just blurt out to their ideological enemies in Stewart style, “What the f–k is wrong with you?”

Most other journalists aren’t allowed to swear or to slam powerful figures (lest they be denied chances to interview them in future). Their editors make them tone down their opinions and cloak them behind weasel words like “critics say.” Journalists have to dress up in neutrality drag every day, and it’s a bore.

Yet Stewart uses his funnyman status as a license to dispense with even the most minimal journalistic standards. Get both sides of the story?

Hey, I’m just a comedian, man. Try to be responsible about what the real issues are? Dude, that’s too heavy, we just want to set up the next d- -k joke.

Stewart is often derided by the right as having minimal impact and low ratings. That’s not true. He and Stephen Colbert ruled the late-night ratings among 18-to 34-year-olds for most of the last five years, though Jimmy Fallon has lately surpassed both.

About 522,000 Americans in that age range watch “The Daily Show” on an average night, but that means many millions of occasional viewers, with millions more watching clips online.

To a key audience, he was a strong influence. Longtime Cooper Union history professor Fred Siegel says his students constantly came to him repeating Stewart’s talking points.

College students, of course, are both little acquainted with realities of adult existence and walled off from conservative views, so they’re the perfect audience for Stewart’s shtick, which depends on assumptions that are as unquestioned as they are false.

This week’s “Daily Show” segment in which Stewart defended Williams was distilled, Everclear-strength Stewart. It was as amazing as watching Barbra Streisand run through a medley of her greatest hits in only seven minutes: In this little chunk of error, cliche, preening and deception Stewart managed to pack an example of just about everything that is unbearable about his style. It bears close study. 

Stewart made some mild jokes at the anchordude’s expense, interrupted with insufferable Jerry Lewis-style mugging, baby talk, high-pitched silly voices and the inevitable reference to whether Williams was “high” (authority figures getting high: always comedy gold to the campus audience).

Stewart slipped in a line of blatant editorializing: “Being caught is punishment enough, no?” Really? Why? If so, argue it, don’t just point the sheep in the direction you want.

Williams is a news anchor. A guy whose three main skills are being good-looking, an ability to read the English language out loud and seeming credible. To put his case in Stewart-ese: “If you want to be considered a trustworthy source of facts, maybe try NOT LYING!!!”

Declaring that media coverage of Williams’ lies was “overkill,” Stewart then built a wedding cake of bullcrap, layer after layer of untruth.

His first move was to change the subject. He used a variant of the rhetorical fallacy known as the “tu quoque” argument, or calling out alleged hypocrisy. Taken to its endpoint, tu quoque (“you, too”) reasoning means no one would ever slam anyone for anything because, hey, we’re all imperfect.

Tu quoque-ism is a generally meaningless gotcha game that can, of course, be turned right around on Stewart: Hey, Jon, you really think you’re the guy to call foul on nuking media personalities who have made misstatements?

In high dudgeon, as though the thought weren’t already a cliche we’d all seen many times on Twitter and Facebook, Stewart declared sarcastically, “Finally, someone is being held to account for misleading America about the Iraq War.”

Then came the inevitable gotcha sound bites: News figures discussing intelligence on Saddam Hussein’s WMD program. Why such a bizarre tangent into an unrelated matter? Because in Stewart’s mind, and those of his viewers, everything has to be the fault of an evil Republican, preferably George W. Bush.

Near the end of the segment, Stewart declares, with the prototypical combination of blustering self-righteousness and sarcasm that crystallizes his appeal to the college mentality, wonders whether the news shows will now start examining the “media malfeasance that led our country into the most catastrophic foreign policy decision in decades.”

Then (using comic bathos) Stewart cuts to more newscasters making apparently trivial points about Williams’ lying. Stewart’s logic is this: The media can’t report negatively on anything anymore, because they dropped the ball on Iraq.

Stewart doesn’t actually believe that: It’s just a cheap gambit meant to get his buddy Williams off the hook by minimizing his serial lying. If Stewart were a public defender, he’d be even funnier than he is as a comic.

What judge or jury could fail to burst out laughing if a defense attorney said, “I have no rebuttal of any of the charges against my client, but lots of other people not in this courtroom are guilty of stuff, too!”

I look forward to the next time a Republican assistant municipal treasurer in Dirt Falls, Idaho, says something awkward about race and Stewart says “I forgive this guy given that the actual vice president of the United States once said of Barack Obama, ‘I mean, you got the first mainstream African-American who is articulate and bright and clean and a nice-looking guy.’”

Let’s look at the media reports on Iraq that Stewart is arguing make Williams’ untruths pale in comparison. Problem: Those reports were not lies. Journalists trying to figure out whether the war was justified called up credible experts with experience in the field and passed along what they said. As a more honest version of Stewart might say, “Dude. That’s not malfeasance. That’s Re. Por. Ting.”

Stewart added that “it’s like the Bush administration hired Temple Grandin to build a machine that kills the truth.” Even the audience of devotees seemed to find this simile baffling.

The idea that “Bush lied” is itself a lazy, ill-informed and false statement.

As Judge Laurence Silberman, co-chairman of the Commission on the Intelligence Capabilities of the United States Regarding Weapons of Mass Destruction, wrote in The Wall Street Journal last week, essentially no one in the Washington intelligence community doubted the major report that Iraq had an active WMD program in 2002.

The National Intelligence Estimate delivered to the Senate and President Bush said there was a 90 percent certainty of WMDs. Democrat George Tenet, the Clinton CIA director who continued to serve under Bush, said the case for WMDs was a “slam dunk.”

John Kerry, Hillary Clinton, Chuck Schumer, Harry Reid and Joe Biden all looked at the intelligence and voted to authorize force. Sen. Jay Rockefeller argued strongly for the war. Then, years later, when it wasn’t going so well, he published a highly politicized report ripping Bush.

There is a serious case to be made against the Iraq War, but it’s a lot more complicated than the playground taunt, “Bush lied about WMDs.” (“Hey, I’m a comic, you expect me to do serious? Please welcome our next guest, Henry Kissinger!”)

Yet another lie on top of that is the absurd implication that the news media were too soft on Bush. The only way you could possibly consider the media to be too conservative would be if you were an extremist well to their left, which Stewart [most certainly] is.

During the Iraq War buildup, even as overwhelming majorities in both houses of Congress authorized the use of force, 59 percent of the sound bites aired by the evening newscasts were antiwar, 29 percent pro-war.

To take another of innumerable examples, in 2006 Bush had about the same approval ratings that Obama suffered in 2014. The network news both commissioned far more polls when Bush stood to suffer, and reported on the Bush results far more.

Again, this isn’t close: The score was 52 to 2, as in 52 mentions of low Bush approval ratings versus two mentions of (even lower, at times) Obama approval ratings.

In every Gallup poll this century, more Americans called the media “too liberal” than “too conservative.” The numbers were 45 to 15 in 2003, the year of the Iraq invasion. In 2008, as Obama was being elected, it was 47 to 13. Last fall it was 44 to 19.

Thanks to polemicists and clowns, the myth that “Bush lied” has caught on, and now a majority of Americans believe it. Stewart-ism won the day.

Liberal comics make things up, liberal journalists chortle and praise and internalize the lies.

Before you know it, if you point out that Bill O’Reilly’s audience is just as well informed as NPR’s (as a Pew poll found), or that Sarah Palin never said, “I can see Russia from my house” (that was “Saturday Night Live”), you’re just a buzzkill.

Brian Williams has become a joke for telling lies, but Jon Stewart is a liar for the way he told jokes.




Sunday, February 15, 2015




“Am I My Brother’s Keeper?”

2/15/2015

None of us lives to himself… —Romans 14:7

Has it ever dawned on you that you are responsible spiritually to God for other people? For instance, if I allow any turning away from God in my private life, everyone around me suffers. We “sit together in the heavenly places…” (Ephesians 2:6). “If one member suffers, all the members suffer with it…” (1 Corinthians 12:26). If you allow physical selfishness, mental carelessness, moral insensitivity, or spiritual weakness, everyone in contact with you will suffer. But you ask, “Who is sufficient to be able to live up to such a lofty standard?” “Our sufficiency is from God…” and God alone (2 Corinthians 3:5).
“You shall be witnesses to Me…” (Acts 1:8). How many of us are willing to spend every bit of our nervous, mental, moral, and spiritual energy for Jesus Christ? That is what God means when He uses the word witness. But it takes time, so be patient with yourself. Why has God left us on the earth? Is it simply to be saved and sanctified? No, it is to be at work in service to Him. Am I willing to be broken bread and poured-out wine for Him? Am I willing to be of no value to this age or this life except for one purpose and one alone— to be used to disciple men and women to the Lord Jesus Christ. My life of service to God is the way I say “thank you” to Him for His inexpressibly wonderful salvation. Remember, it is quite possible for God to set any of us aside if we refuse to be of service to Him— “…lest, when I have preached to others, I myself should become disqualified” (1 Corinthians 9:27).
Oswald Chambers c. 1905

Saturday, February 14, 2015




A Feline Valentine

A cat can offer much bound to enchant. 
Felines, ever charming, but capricious
Eventually –– no matter how you rant ––
Lenient, strict, indulgent, or judicious ––

It seems the little fuzzball will prevail.
No worthy feline ever lets you win.
Even so, the smartest never fail,
‘Tis certain, to enchant you while they sin. 

So easily do cats cast spells beguiling
Foolish folk enraptured by their antics
Only laugh when cats deserve reviling 
Letting felines prove their fans romantics.

Letting pussy get away with mischief
Yields ire-dissolving mirth, and thus a missed tiff. 

~ § ~

Post Script

Nothing can break up a human spat
Faster than a charming household cat.
And little else can more acutely grieve you
Than when the darling sickens, and must leave you.

~ FreeThinke

In loving memory of Priscilla (June, 2004 - January 12, 2015)


Rest in peace, dear little friend. 
You were very much loved and always will be.

~ § ~

Thursday, February 12, 2015

Moscow Clad in Snow (1908)

Black and White Footage Accompanied by
In the Steppes of Central Asia
an orchestral tone poem by
Alexander Borodin (1833-1887)


A Short Elegant Documentary




Wednesday, February 11, 2015




______ WE GROW ACCUSTOMED to the DARK ______

If I had the right –– or the temerity –– to give this poem a name, I would call it “To Those Left Behind.” Emily Dickinson never gave titles to her poems, they are always identified by simply the first line.

We think often of the brave men horribly killed in battle, but too little attention has been paid –– I feel –– to the widows and orphans, mothers, fathers, younger siblings and close friends forced to suffer the pain of losing a loved one, a helpmate, a guide, and a companion.

After all, for the dead it is over –– their suffering, one would hope, is at an end. Those left behind, however, must somehow carry on and find find new purpose in living. This poem, I feel, addresses their situation eloquently.


We grow accustomed to the Dark ––
When Light is put away ––
As when the Neighbor holds the Lamp
To witness her Good bye ––

A Moment –– We uncertain step
For newness of the night ––
Then –– fit our Vision to the Dark –– 
And meet the Road –– erect –– 

And so of larger –– Darknesses ––
Those Evenings of the Brain ––
When not a Moon disclose a sign ––
Or Star –– come out –– within ––

The Bravest –– grope a little ––
And sometimes hit a Tree
Directly in the Forehead ––
But as they learn to see ––

Either the Darkness alters ––
Or something in the sight
Adjusts itself to Midnight ––
And Life steps almost straight.

~ Emily Dickinson (1830-1886)



Tuesday, February 10, 2015




BUSYBODIES

The pressure others to reform is great.
Whoever won't conform inspires hate.

An Ethos prevalent demands adherence,
Or at least be lent a feigned sincere appearance.

No one will tolerate what he despises,
So, he'll berate who otherwise advises.

The Bowels of Belief is where we live
Where challenge never has Relief to give.

Parochialism jails, and then it smothers
Conformity impales, then kills all others.

Most people fail to see this work all ways,
And so the Blight will kill till end of days.

~ § ~

Monday, February 9, 2015


OKAY, KIDS, LET’S TAKE a WHACK or TWO or TEN at THESE HEADLINES

Dramatic scene of a "calving" glacier






Satellite photo showing Great Lakes frozen solid

SO WHICH IS IT –– BIG MELT? –– or DEEP FREEZE?

Sunday, February 8, 2015

"The Vortex of the Waltz" - Vladimir Purveninsky (né 1957)


Noble and Sentimental Waltzes (1911)
by
Maurice Ravel
performed by pianist

Jean-Efflam Bavouzet


The "Valses nobles et sentimentales," a suite of waltzes composed by Maurice Ravel in 1911. The piano version was published first, and an orchestral version was published a year later. The suite contains a unique blend of Impressionist and Modernist music, which is especially evident in the orchestral version.

Ravel was intrigued by the waltz. By 1906 he had started composing what later would become La valse, in which he tried to epitomize everything this popular genre encompassed. In 1911, prior to the 1919 publication of La valse, he published the piano version of his suite of eight Valses nobles et sentimentales

The work was first performed on May 8, 1911 by Louis Aubert, to whom the work is dedicated, at a performance of new works where the composers were not identified. It was sponsored by the Société Musicale Indépendante, to promote the works of more adventurous composers, without "burdening" critics with the attached labels of authorship. This was in theory supposed to encourage the critics to evaluate what they actually heard rather than simply judging the piece by the name of the composer. 

The anonymous work generated a disturbing chorus of boos and catcalls. Many were unnerved by the acerbic harmonic palette that he employed. Some even thought the piece was a parody. When the votes were tallied, the nominated composers included Erik Satie, Charles Koechlin, Vincent d'Indy and even Zoltán Kodály, but "a minute majority," Ravel recalled, "ascribed the paternity of the Valses to me.”



1. Modéré 2. Assez lent 3. Modéré 4. Assez animé 5. Presque lent 6. Assez vif 7. Moins vif 8. Epilogue: lent 

Pianist: Jean-Efflam Bavouzet




Saturday, February 7, 2015


Does Anyone Really Care 
About the Brian Williams Kerfuffle?

It's hardly surprising given what conservatives have known for decades about the true nature of the enemedia.

Aside from the fun of finding a good excuse to indulge in an orgy of Schadenfreude, what possible benefit could there be from dwelling for days on anything to trivial and pathetic? 


Friday, February 6, 2015


What is your opinion of 
NET NEUTRALITY?
FCC Chairmen, Tom Wheeler, a strong supporter

Should congress attempt to regulate the internet?

If so, what benefits might such regulation have to offer? 


What negative effects 
might ensue?


Details available at the following link:

Thursday, February 5, 2015








Forbes Magazine is a Case Study on How Conservatives Lose Institutions

by William A. Jacobson    Wednesday, January 23, 2013 

The minnow eats the whale, again

I’ve noticed, but not commented on, how the only time I go to Forbes.com anymore is to read a liberal attack on conservatives.
I’ve wondered, has Forbes changed?  Yes it has.
We lose institutions by allowing the minnows to eat the whale.
It happened to my alma mater, Hamilton College, which acquired the liberal Kirkland College across the street in the late 1970s, and then allowed the leftist Kirkland faculty to take over the school. Hamilton now is so unhinged that it would not allow The Alexander Hamilton Institute for the Study of Western Civilization to locate on campus.  It’s a story told at campuses across the country.
The same thing apparently has happened at Forbes, once a bastion of free market capitalism. It acquired the far left True/Slant, and then appointed the founder of True/Slant to a key position which has resulted in Forbes — at least on its highly trafficked website – becoming a vehicle to attack the right.
Robert Stacy McCain, writing at The American Spectator, has the details:
Over the weekend, professional golfer Phil Mickelson complained about tax increases (including state income taxes in California) that he said had pushed his marginal rate to 63 percent: “I’ve got to make some decisions on what to do.” That incited a scolding from Syracuse Universtiy professor Len Burman, who said Mickelson should “stop whining” because he was so “lucky” to be one of the world’s highest-earning athletes.
Well, just another cranky liberal academic, eh? We are not surprised to learn that Burman served as a Deputy Assistant Secretary of the Treasury in the Clinton administration, nor are we surprised that Burman founded the Tax Policy Center at the Brookings Institution, a liberal think-tank. What is perhaps surprising is that Burman published his attack on Mickelson’s “whining” at Forbes.
Forbes was once a leading advocate of free-market economic policy and has published such famed conservative writers as P.J. O’Rourke and Peter Brimelow. The magazine’s publisher Steve Forbes sought the Republican presidential nomination in 1996 and 2000 on a platform advocating a flat tax. His father, the late Malcolm Forbes, proudly named his private jet the “Capitalist Tool.”

Yet in recent years, the online version of Forbes has become increasingly notorious as a hive of strident left-wing opinion. Forbes publishes environmentalist blogger Steve Zwick, who has waged a one-man jihad against the free-market Heartland Institute for its criticism of climate policy. Last February, Zwick used his Forbes blog to promote a hoax in which a fake document purported to show Heartland’s “secret strategy.” Forbes also publishes Rick Ungar, who became notorious in 2009 for a column with the headline “Send the Body to Glenn Beck,” blaming the talk-radio host for the alleged lynching of a Census worker (who, as it turned out, had committed suicide).
What happened to Forbes? 
Two words: Lewis Dvorkin.
A former AOL executive, Dvorkin got funding from Forbes in 2009 to start a Web site, True/Slant, that lasted a little more than a year before it was taken over by Forbes in a deal that brought Dvorkin into the company with the title of Chief Product Officer. (Dvorkin’s “Copy Box” column is a lot of jargon-crowded hype about the awesomeness of the “product”; he recently defended the concept of “sponsored content” in the wake of last week’s debacle in which the Atlantic published an “advertorial” for Scientology.) Dvorkin’s July 2010 deal also brought under the Forbes online umbrella several of True/Slant’s left-wing staff and contributors, including Zwick, Ungar and, apparently, Professor Len Burman.
Can anyone cite an example of where a prominent liberal publication has brought in a conservative in a leadership position and allowed the conservative to turn the publication on its political head? I can’t think of an example.
This is one of the reasons we lose.

See more at: http://legalinsurrection.com/2013/01/forbes-is-a-case-study-on-how-conservatives-lose-institutions/#sthash.330Lp4CG.dpuf

Wednesday, February 4, 2015

Tuesday, February 3, 2015


Look What Vanity, Stupidity, 
Too Much Money, and Rotten Taste 
Could Do For You!

Jocelyn Wildenstein, age 74

Net Worth: $500 million. Known for extensive facial surgeries, her divorce from Alec Wildenstein in 1999, and for her extravagant life. She once calculated her yearly telephone bill at $60,000 and food and wine costs at $547,000.


Donatella Versace, age 60

Net Worth: $200 million. However with her 20% stake in the Versace company, if it was to sell at its current valuation she would pocket around $1.7 billion.


Dolly Parton, age 69

Net Worth: $500 million. A sad, grotesque caricature of herself at age 69. The singer, songwriter, actress, author and philanthropist has been writing and performing hit country songs for over 40 years. She has released 41 top-10 country albums, and has had 25 number one singles. And look what it’s bought her.